Category: 2025

  • 40×40 // 00 – Pregap

    Without wanting to give too much away to the crawlers – 2026 brings a significant birthday. The kind of one where your doctor sees your date of birth, and swaps the checklist. There are probably blue nitrile gloves involved at some point.

    Some months ago, I was ruminating and reflecting on this, and came up with the idea of listing forty songs from my lifetime thus far: not the best songs, not the most significant, necessarily; but, as someone who has loved recorded music from an early age, songs that conjure up memories. And so, since then, I have compiled a list of songs – many, many more than forty – and am now trying to whittle it down.

    The (admittedly self-indulgent) concept will be to publish a brief note about one song a week, probably along with a few footnotes to allow me to direct your attention to other bits of ephemera (and frankly, squeeze in lots of other songs). Forty songs for forty years over forty weeks; no more, no less. There is no order, and little logic: just vibes, nostalgia, and an unhealthy bias towards ‘as featured in [US TV show]’ in the 2000s.1

    This preliminary article – the pregap,2 if you will – has no other purposes than, firstly, to explain this once, so I do not feel the need to repeat it; and secondly, to commit to the concept by throwing my cap over the wall.3

    1. Let’s just all take a moment to give thanks for Christa Miller’s work as the music supervisor on Scrubs. ↩︎
    2. The pregap is the bit on a CD before the first track, where occasionally artists would hide a track only accessible by ‘rewinding’ just the right amount from the start of track 1. My favourite: Damien Rice, 9 Crimes (demo). ↩︎
    3. A story that comes from Frank O’Connor, but best explained by Jed Bartlet. ↩︎